Isamu Noguchi Early Edition Floor Lamp, Japan, 1950


Product Code: L5453

Dimensions: 52 × 52 × 120 cm (W x D x H)

In stock: 1

Condition: good, vintage

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Price: € 3950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950
Isamu Noguchi Early Edition Floor Lamp, Japan, 1950

A stunning tripod floor lamp designed by Isamu Noguchi, manufactured by Akari in Japan around 1950.

This eye-catching piece is made of beautifully folded paper with bamboo / wooden edges and supports, held by a tripod black lacquered metal base. All together this creates a very appealing style that will definitely add a nice atmosphere to the decor, especially when lit! It’s an early edition of an iconic piece of Japanese design, guaranteed to draw the attention in any decor.

It remains in good, vintage condition, but has some minor damages. The wear is consistent with age and use.

With the warm glow of light cast through handmade paper on a bamboo frame, Isamu Noguchi utilized traditional Japanese materials to bring modern design to the home. Like the beauty of falling leaves and the cherry blossom, Noguchi wrote, Akari are “poetic, ephemeral, and tentative.” He was fond of saying, “All that you require to start a home are a room, a tatami, and Akari.”

In 1951 Isamu Noguchi visited the Japanese town of Gifu, known for its manufacture of lanterns and umbrellas from the mulberry bark paper and bamboo. Inspired by the lanterns illuminating night fishing on the Nagara River, Noguchi designed the first of his lamps that would be produced by the traditional Gifu methods of construction. He called these works Akari, a term meaning light as illumination, but also implying the idea of weightlessness. Extending the concept of illuminated sculpture that he developed during the 1940s in New York, Noguchi employed abstract shapes to unite the simplicity of Japanese aesthetics with the principles of contemporary art and design. More that home furnishing, Akari are light sculptures.

The fabrication of Akari in Japan at Ozeki company since 1951 follows the traditional methods for Japanese Gifu lanterns. Each Akari is handcrafted beginning with the making of washi paper from the inner bark of the mulberry tree. Bamboo ribbing is stretched across wooden molded forms, which resembles sculpture.

The washi paper is cut into wide or narrow strips depending upon the size and shape of the lamp and then glued onto both sides of the framework. Once the glue has dried and the shape is set the internal wooden form is disassembled and removed.

In good original condition with minor wear consistent with age and use, preserving a beautiful patina.

About the designer:
One of the most important artists of the 20th century, Isamu Noguchi (1904-1988) expanded the traditional notion of sculpture to include the creation of dance sets, gardens, playgrounds, fountains and furniture. Within this range of spatial environment Isamu Noguchi’s Akari lanterns hold a unique place, expressing his Japanese’s American heritage in works designed to enhance the quality everyday life. Isamu Noguchi was the son of an American mother, Leonie Gilmour, and a Japanese father, poet Yone Noguchi. Born in Los Angeles, Noguchi spent his childhood in Japan before returning to the United States for his education. As a young man he traveled to Paris to work with sculptor Constantin Brancusi, and he went on to develop his own unique career as an artist in New York. After visiting Japan in 1931 Noguchi began to integrate elements of Japanese art with western modernism. Throughout the 1950s Noguchi spent a great deal of time in Japan, embracing Japanese forms for the design of gardens and sculpture. Literature: The Noguchi Museum.





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